Jean-Pierre Melville: Life and Work of a Groundbreaking.
A new video essay by Edwin Adrian Nieves, fittingly entitled “Le Samourai: Jean-Pierre Melville’s Work of Art,” further explores the creation of this now-classic film. There’s some great.
I believe in my world. I believe in brotherhood and everything that goes with it. Like honor, loyalty, and friendship. The reason why Le cercle rouge is a classic gangster film is because it embodies this kind of romanticism. For me, there are two great moments. One happens during the heist. Yves Montand has set up his rifle on the tripod and locates the alarm sensor on the wall through the.
The Gangster’s All Here. Among the working filmmakers who admire him is actionmeister John Woo, who has called 1967’s “Le Samourai” “the closest thing to a perfect movie that I have.
John Woo wishes to remake Jean-Pierre Melville's Le Samourai as well as his own film The Killer. He also wants to make a musical.
The intensity of Jean-Pierre Melville's Le Samourai (Yun-Fat also went on to become a muse for Woo in the same way Alain Delon became for Melville and Toshiro Mifune for Kurasawa); the slo-mo.
Like John Woo, French director Jean-Pierre Melville has often been considered an unorthodox force in his native cinema. A man of unusual life experience, including membership in the Resistance during World War II, Melville funneled his autobiography into his filmmaking. The most important of Melville's policies to a discussion of his influence on, and artistic kinship with and differences from.
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From Wikipedia, the free encyclopedia. John Woo Yu-Sen SBS (born 23 September 1946) is a Hong Kong film director and producer. Recognized for his stylised films of highly choreographed action.
The first essay is from film scholar David Thomson. The second piece is an essay from famed Hong Kong filmmaker John Woo, who used Le Samourai as the inspiration for his best-known film, The Killer, in which the lead played by Chow Yun Fat is very obviously based on.
Jef Costello is a fedora and trench-coat wearing contract killer with samurai instincts. When Jef assassinates a nightclub owner, he finds himself confronted by a series of witnesses, who drop his perfect world into the hands of a persistent police investigator and Jef's shadowy employer, both of whom are determined to put an end to the career criminal.
The first essay is from film scholar David Thomson. The second piece is an essay from famed Hong Kong filmmaker John Woo, who used Le Samourai as the inspiration for his best known film, The Killer, in which the lead played by Chow Yun Fat is very obviously based on.
This November, golden-age Hollywood’s wittiest romantic comedy will join the Criterion Collection: The Philadelphia Story, starring Katharine Hepburn, Cary Grant, and James Stewart, all at the height of their dazzling charms. Our edition will feature a new 4K restoration, along with new supplements exploring the film’s production, which launched Hepburn back to stardom thanks largely to.
It's a bit intimidating to be the one tasked with delivering an opinion on one the most beloved gangster fims ever made. The legendary Jean-Pierre Melville is one of French cinema's most revered.
John Woo. John Woo Yu-Sen SBS is a Hong Kong film director and producer. Recognized for his stylised films of highly choreographed action sequences, Mexican standoffs, and use of slow-motion, Woo has directed several notable Hong Kong action films, among them, A Better Tomorrow, The Killer, Hard Boiled and Red Cliff.
